Watch by Jean-Louis Moré

Watch 1825 - 1835

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metal, sculpture, enamel

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decorative element

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metal

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sculpture

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enamel

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decorative-art

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miniature

Dimensions 2 3/16 x 3/8 in. (5.6 x 1cm); Diameter: 1 5/8 in. (4.1 cm)

Curator: This striking timepiece is simply titled “Watch,” dating to the years between 1825 and 1835. It was crafted by Jean-Louis Moré and is currently held in the Metropolitan Museum of Art. The piece features intricate metalwork and enamel details. Editor: It's exquisite. The dark background really makes the gold and red floral design pop. It looks so vibrant, yet it also possesses a strange gravity to it. Curator: That striking contrast comes from a meticulous decorative process. The gold detailing wasn’t just applied on the surface; it was likely chased, engraved, and then enameled. Considering the precision involved in creating a miniature piece such as this, imagine the skill of the artisans at the time! The metalwork would reflect not only changing tastes, but the conditions and availability of workshops specialized in such techniques. Editor: The formal structure is so tight. You've got these concentric circles within circles, moving your eye from the centre outward. And that intense contrast of black and red creates almost a vibration. The artist plays beautifully with tension between a perfect geometric shape and the naturalistic asymmetry of flowers. The ring detail up top mirrors and reinforces that geometric tension as well. Curator: Certainly, the formal aspects speak volumes about craftsmanship of the era, but looking deeper at material conditions… Enamel work became popular because it offered relatively durable surface protection for metals susceptible to tarnish. One must remember such an object would likely have been commissioned—a status symbol relying upon specific skilled laborers. It reflects access and privilege as well as artistry. Editor: You're right, these intricate layers can take you to diverse places when you think about it. From production line workers to the rarefied air of patrons! The tension here seems bottomless... Curator: Indeed. It provides much to contemplate, from its physical creation to the implications it held for those who first possessed it. Editor: It's not just a time-telling object; it captures and freezes so many other flows. I'm glad we took time to unpack that.

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