Peace 1655 - 1703

Curator: Gèrard Audran's print, simply titled "Peace," presents us with a classical allegorical figure, rendered with meticulous detail. Editor: She exudes a calm strength, doesn’t she? The architectural element atop her head feels so grounded, contrasting with the delicate olive branch. Curator: Precisely. The olive branch, of course, is a long-standing symbol of peace, while that atop her head is a modius, a Roman grain measure, suggestive of prosperity. Editor: Placing "Peace" atop a foundation literally labeled "La Paix"—it seems a bit on the nose, doesn't it? What about the staff? Curator: Indeed, a symbol of power, but tempered, perhaps, by the surrounding iconography. The print's linear precision and controlled shading create a sense of order, typical of its time. It clearly draws upon older Roman ideals. Editor: It’s a fascinating articulation of power and prosperity through visual language, especially within the context of conflict. Curator: Agreed, a thought-provoking reminder of the enduring allure—and necessity—of peace.