Vogel by Jacques de Fornazeris

Vogel c. 1580 - 1590

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print, engraving

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animal

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print

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old engraving style

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bird

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11_renaissance

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personal sketchbook

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engraving

Dimensions height 92 mm, width 137 mm

Curator: This delicate engraving, titled "Vogel", was crafted between 1580 and 1590 by Jacques de Fornazeris. It’s currently held in the Rijksmuseum. What are your first thoughts? Editor: There’s a certain somber stillness to it. The bird seems caught mid-song, perched within this small, contained world of swirling leaves and dense cross-hatching. Curator: I'm intrigued by the contrast in textures. Look at the smoothness of the bird's head against the almost chaotic detail in its feathers and the surrounding foliage. What might this reveal about Fornazeris’ technique, or the conventions of printmaking at the time? Editor: For me, the most compelling element is the vine that seems to almost cage the bird. Vines have so much symbolic resonance—growth, entanglement, but also constraint. Curator: It’s tempting to read that constraint into the context of the era. Was this piece, through its deliberate lines and reproduced format, aiming for wider consumption amongst a burgeoning middle class? Did the printing process itself become a symbol of democratization? Editor: Potentially, but look closer at that bird’s eye—the almost unnerving detail in it. Birds, since antiquity, often represent the soul, freedom, aspiration. I wonder if the artist intended to express an inner yearning, a desire trapped within societal bounds. The frame does heighten the sensation that the avian spirit is unable to move past the frame, physically or conceptually. Curator: An intriguing parallel there—the societal constraints of the time mirroring those implied by the artist! Do you feel the technique of engraving is adding more weight to its interpretation? Editor: Absolutely! The act of carving each line lends a deliberateness that, contrasted with what seems to be a simple rendering of an animal, amplifies this duality between physical depiction and the expression of something much deeper. Curator: So the print itself, as a crafted object meant for wider distribution, adds a layer to that interpretation. An expression that seeks connection through a shared cultural experience of symbolism and the medium. Thank you for highlighting those potent symbolic nuances; it reshapes my appreciation. Editor: Likewise! Considering its mode of production really grounds that deeper reading of symbolic restraint.

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