Gezicht op het defilé van toreadors in de stierenvechtersarena van Carretera de Aragon te Madrid by Juan Laurent

Gezicht op het defilé van toreadors in de stierenvechtersarena van Carretera de Aragon te Madrid c. 1880 - 1890

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print, photography, gelatin-silver-print

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print

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landscape

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photography

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orientalism

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gelatin-silver-print

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cityscape

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realism

Dimensions: height 91 mm, width 144 mm

Copyright: Rijks Museum: Open Domain

Editor: This gelatin silver print by Juan Laurent, dating from the 1880s-1890s, captures a bullfighting scene in Madrid. There’s something quite striking about the stark contrast and the formality of the composition, yet also an undeniable tension. What historical context is woven into the scene? Curator: Indeed, what's captivating is the interplay of spectacle and ritual encoded within the image. Notice the architecture of the bullring itself - the layered arcades filled with spectators. They recall the Roman amphitheaters, where life and death were also public displays. This echoes a deeply ingrained cultural memory, doesn't it? Editor: It does. So, the image speaks not just of a bullfight but a long tradition of public performance. How does photography, a relatively new medium then, influence that interpretation? Curator: Photography, especially at that time, presented itself as an objective witness. Yet, it also selected, framed, and presented a particular view. This image perpetuates a certain romantic vision of Spain and its traditions. The artist acts as a medium. Ask yourself, does this photograph simply record, or does it actively construct and idealize the bullfighting tradition for viewers? Editor: I hadn't thought of it that way. It's easy to see the "reality" but not the shaping hand. Is that what attracted tourists at the time, this ideal? Curator: I imagine it confirmed preconceived notions, reinforced the exoticism that fueled Orientalist fantasies. Each element becomes a signifier within a cultural narrative, inviting both fascination and potential misinterpretation. But tell me, what feeling do you derive from the architecture and the crowds in the distance? Editor: A feeling of expectation and contained energy... almost like something grand is about to unfold... Thanks! I now look at the photograph like it speaks of time. Curator: Precisely! And it is up to us to unravel its many layered meanings. It truly is like witnessing frozen time.

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