Roman Interior c. 1760

Jean-Honoré Fragonard's painting, "Roman Interior," presents us with a scene filled with domestic intimacy, framed by architectural echoes of classical antiquity. Central is the motif of motherhood, a woman tenderly holding two children. This image resonates with the archetypal Madonna, found across cultures, symbolizing nurture and protection. But consider, too, the dogs in the foreground, their presence a silent, watchful guardianship, reminiscent of Cerberus, tamed to domesticity. This layering of protective figures—human and animal—evokes a deep-seated longing for safety and continuity. The shadows and light play, creating a chiaroscuro effect that reminds me of Carravagio's use of light to convey emotional intensity. Just as in classical dramas, these symbols serve as potent reminders of humanity's enduring quest for security and affection. The viewer is drawn into this theatre of life, feeling the pulse of primal emotions. It is clear that the power of these archetypes, like water finding its level, resurfaces, evolves, and takes on new meanings.