painting, oil-paint
portrait
woman
painting
oil-paint
figuration
oil painting
history-painting
italian-renaissance
early-renaissance
Dimensions 84.5 x 64.3 x 2.2 cm
Piermatteo d'Amelia rendered this "Virgin and Child" in tempera and oil on wood, capturing a tender yet formal scene. At its heart lies the iconic motif of the Madonna and Child, representing divine motherhood and the promise of salvation. Note the Christ Child's raised hand. This gesture, reminiscent of classical oratory, signals blessing and authority. It echoes across centuries, from Roman emperors depicted in statues to Byzantine icons. The infant Christ reclaims the gesture, infusing it with spiritual significance. This hand, a symbol deeply embedded in our collective memory, transcends mere representation; it stirs profound emotions and beliefs, linking us to a timeless narrative of faith and redemption. Observe how this symbol progresses through time. From ancient depictions of power to its adoption in Christian art, evolving and adapting, yet its core message remains resonant. The past echoes into the present.
Comments
The representation of the Madonna with the infant Christ is one of the most popular picture themes of the Italian Renaissance.In Florence at the end of the 15th century, the workshop of the sculptor and painter Verrocchio stood out with such compositions. His Umbrian assistant Piermatteo d'Amelia placed mother and child in a loggia that opens onto a distant landscape on one side while he also contrasted the meditative inwardness of Mary with the open nature of the infant Christ gazing directly at the observer.
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