Portret van Gianfrancesco Penni 1641 - 1741

Jean Baron created this print of Gianfrancesco Penni in the 17th century, using a technique called engraving. The process begins by incising lines into a metal plate, allowing for incredibly fine detail as we can see here. The plate is then inked, and the surface wiped clean, leaving ink only in the etched lines. This is printed onto paper with considerable pressure. What is so fascinating about engraving is the degree of control it allows – and the skill it demands. Look closely and you'll see how Baron varied the weight of his lines to create shadow and volume. Think of the density of hatching in Penni's beard, giving it depth and texture. Engraving requires intense labor. Each print pulled from the plate is a direct result of the artist's hand and eye. Prints like this one were not just artworks, but a means of circulating images and ideas. It’s a testament to the enduring power of craft, connecting labor, art, and social context.