LI in Engeland Possibly 1896 - 1898

Anton Molkenboer’s “LI in Engeland” presents us with a satirical sketch filled with symbols that speak volumes about its time. A distinguished man, presumably a political figure, sits at his desk, pen in hand, while a peering figure lurks in the background. Note the letters overflowing a waste basket, each marked with urgency – “KNUFFELLESSEN,” hinting at messages of affection or appeasement. Such imagery echoes through history, recalling the Roman practice of sending doves as messengers, symbols of peace often deployed amidst conflict. Yet, here, these “KNUFFELLESSEN” are discarded, hinting at failed attempts to reconcile. Consider the act of writing itself. Throughout time, writing has been a potent symbol of power, wisdom, and control. From the Egyptian scribes to modern-day politicians, the written word shapes our world. Yet, the discarded letters introduce a psychological tension, suggesting a deeper, perhaps subconscious, anxiety about the effectiveness and sincerity of these diplomatic overtures. Like a recurring dream, these motifs resurface. Molkenboer reminds us that history is not linear. These symbols constantly evolve and take on new meanings.