Capri gezien vanaf Sorrento op het vasteland met aloë vera op de voorgrond by Giorgio Sommer

Capri gezien vanaf Sorrento op het vasteland met aloë vera op de voorgrond 1857 - 1914

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photography, albumen-print

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landscape

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photography

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watercolor

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albumen-print

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realism

Dimensions height 194 mm, width 248 mm

Editor: We're looking at a photograph entitled "Capri gezien vanaf Sorrento op het vasteland met aloë vera op de voorgrond," taken sometime between 1857 and 1914, attributed to Giorgio Sommer. It’s an albumen print depicting Capri from the mainland. It has this wistful, old-world feel. The foreground aloe plants are striking, but everything’s in sepia tones. What catches your eye most when you look at this piece? Curator: The dance between sharpness and soft focus, perhaps. Look at how Sommer uses those aloes in the foreground. They’re so crisply rendered, almost tactile, aren't they? Then, the gaze softens as you move toward Capri in the distance, creating a kind of dreamlike quality. What do you suppose he's saying with this blurring of the lines, quite literally? Editor: Maybe it's about memory? The present – those sharp plants – are real and immediate, while the past, or the distant view, is fuzzier, less defined. Curator: Precisely! And consider the placement of that lone figure—almost swallowed by the landscape, isn’t he? It reminds me of how, in 19th-century photography, humanity was often portrayed in relationship to nature's grandeur; always small, insignificant in comparison. Editor: So, the aloes aren't just plants; they’re almost a barrier, framing our view, or maybe protecting the scene. Curator: Oh, I love that thought! They’re like silent sentinels, guarding a specific view, a particular moment in time. And albumen prints… the process is so magical and slow! Each print unique, wouldn’t you agree? It makes the image even more precious somehow. Editor: It really does. I hadn’t thought about the tactile nature of the print itself. Seeing it digitally is a completely different experience. It brings a sense of almost being there! Curator: Yes. It pulls at you, doesn’t it? Evokes nostalgia and timelessness with subtle intention, revealing something new each time you revisit it. A delicate portal, you might say, framed by botanical guards.

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