Vrouwenhoofd 1875 - 1934

Isaac Israels drew this head of a woman in charcoal, probably in his sketchbook. It's a quick study, a process of feeling out form with a flurry of lines. Look at the way he builds up the shadow around the neck and jaw – it's almost like he's sculpting with the charcoal, letting the darkness define the shape. The lines are so active, they almost vibrate. It’s like he’s trying to capture not just what she looks like, but also a sense of her presence. The sketch feels very intimate, very immediate, like we’re catching a glimpse of Israels' thought process. The loose handling reminds me of Van Gogh's drawings, especially in the way both artists use line to convey emotion and movement. Both knew how to make a simple sketch feel incredibly alive. Ultimately, art is a conversation, isn’t it? A back-and-forth between artists across time.