Dimensions: image: 380 x 303 mm
Copyright: © The estate of Lionel Wendt, c/o Tom Peek Gallery | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This arresting silver gelatin print, dimensions roughly 380 by 303 mm, is by Lionel Wendt. Wendt, who lived from 1900 to 1944, has no title listed for this work currently held in the Tate Collections. Editor: I find myself drawn to the subject's melancholic posture, and the way the light softens every curve. It feels both classical and deeply intimate. Curator: The image's appeal lies in Wendt's manipulation of light and shadow, transforming the body into an almost sculptural object. Consider the darkroom techniques, the materiality of the print itself. Editor: There's also a vulnerability that shines through, despite the stark contrasts. It reminds me of a forgotten dream. Curator: And for me, it underscores how Wendt pushed the boundaries of photography as a modernist medium in Ceylon, embracing both art and commerce. Editor: Absolutely. A beautiful, complex piece that invites contemplation. Curator: Indeed. Wendt's work is a potent reminder of the intersection of art, culture, and the photographic process.
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Wendt is considered one of Asia’s earliest modern photographers. He was born in Colombo, Sri Lanka (formerly Ceylon) to a prominent family. Travelling to Europe in 1919 to study law, he encountered experimental music, visual art and literature. He kept up-to-date with developments in European modern art – including surrealism – on his return to Colombo in 1924. But instead of reproducing modernist conventions in his photographs, Wendt used what he had gained in Europe to convey the richness of Sri Lankan contemporary life and traditions. Gallery label, October 2016