print, paper, engraving
old engraving style
landscape
white palette
river
paper
romanticism
cityscape
engraving
Dimensions: height 165 mm, width 278 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have Carl Ludwig Frommel's "View of Dalhausen from the River," an engraving from the early to mid-19th century. The scene feels so still, almost serene. It seems to depict a harmony between industrial development and the natural landscape. What do you make of this scene? Curator: I am immediately drawn to the juxtaposition of the industrial structures with the natural river. Consider the factory's smokestack: It mirrors the hills in the background, suggesting a visual analogy. Do you see how the smoke mimics the clouds, perhaps commenting on industry's effect on nature’s design, altering it but trying to echo it nonetheless? Editor: Yes, I do! It’s almost like they are trying to become one. There’s even something calming in the way it's presented, softened by the engraving style. Curator: Precisely! Notice how the bridge over the river acts as a literal connection. Water often represents purification, life and transformation. The boats on the river imply journey and trade. Ask yourself, what meaning do these activities and modes of transportation lend the scene and to the buildings beyond? Are they tied to a journey that transforms the landscape itself? Editor: So the image presents this idea of progress, but it invites the viewer to contemplate the implications. Almost a symbolic depiction of a shifting world! Curator: Absolutely! Frommel captures a pivotal moment, inviting viewers across time to decipher the layers of meaning woven into the image, just like interpreting symbols on an ancient map. It makes us reflect on how symbols evolve and what they represent for each viewer in time. Editor: This has really made me think about how industrial landscapes can carry different connotations depending on how they're framed, both literally and symbolically! Thanks!
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