This drawing by Nicolaes Ryckmans captures half the façade of Palazzo Doria-Tursi in Genoa. Note the recurring motif of the grotesque masks adorning the window frames. These heads, often interpreted as apotropaic devices, were intended to ward off evil spirits, echoing ancient practices of adorning buildings with intimidating visages. The use of grotesque masks can be traced back to classical antiquity, where similar figures appeared on temples and public buildings, meant to protect sacred spaces from malevolent forces. This motif resurfaces throughout history, finding its way into Romanesque and Gothic architecture. One could argue that the persistence of these protective symbols reflects a collective human anxiety, a deep-seated need to guard against unseen dangers. The emotional power of these images lies in their ability to tap into our primal fears and offer a sense of security. Ultimately, the Palazzo’s façade exemplifies how such protective symbols evolve, adapting to new cultural contexts while retaining their fundamental purpose – to confront and dispel the darkness.