Onderboezem met variant voor rechterhelft by Cornelis (I) Danckerts

Onderboezem met variant voor rechterhelft c. 1675 - 1686

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drawing, print, engraving

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drawing

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baroque

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print

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old engraving style

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form

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pen-ink sketch

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line

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pen work

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history-painting

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engraving

Dimensions height 232 mm, width 137 mm

Curator: This print is titled "Onderboezem met variant voor rechterhelft," which translates roughly to “Chimney piece with variation for right half.” It comes to us from the hand of Cornelis Danckerts, dating from around 1675 to 1686. Editor: Oh, interesting. The rendering is super detailed, and I'm getting this powerful sense of idealized domesticity and storytelling—sort of a fireplace as a portal. Is that an interior depicted? Or something else? Curator: That's a keen observation. Yes, it’s an interior elevation of a chimneypiece, rendered using engraving techniques, a common practice during the Baroque period for disseminating architectural and design ideas. Look closer, and you'll notice the mythological scene framed within the oval. Editor: Yes, I see the figures and the flames. So, we're seeing a dual purpose here, design and storytelling, perhaps? I get this ornate, yet restrained feeling from the rendering... it's Baroque but very considered. Curator: Absolutely, the Baroque aesthetic of this period embraced dramatic contrasts, but the print served primarily as a template, which needed to be practical for artisans to execute. Its success depended on its balance of artistry and utility within the cultural context of the time. Editor: It strikes me that by making designs like this available, an artist like Danckerts wasn't just dictating style but also democratizing art. People could bring grand, almost theatrical designs into their own homes, which changes their daily experience of art and design. Curator: Indeed, the democratization of art through printmaking significantly altered visual culture. These prints circulated ideas about taste and decor, influencing not just wealthy patrons but also a burgeoning middle class. That level of societal influence through readily available printed imagery should not be underestimated! Editor: Seeing something like this makes me consider how objects like this would bring narratives into daily life and provide inspiration. They add a depth and resonance beyond mere decoration. This chimneypiece, captured in a detailed engraving, is more than design, it becomes part of people's stories too.

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