Miss Phillis Hurrell (1746–1836) by Joshua Reynolds

Miss Phillis Hurrell (1746–1836) 1762

sirjoshuareynolds's Profile Picture

sirjoshuareynolds

# 

oil painting

# 

portrait reference

# 

portrait head and shoulder

# 

england

# 

framed image

# 

portrait drawing

# 

facial portrait

# 

oil-on-canvas

# 

portrait art

# 

watercolor

# 

fine art portrait

# 

celebrity portrait

This 1762 portrait, "Miss Phillis Hurrell," by Joshua Reynolds, depicts a young woman with a melancholic expression, holding a lute. The composition, typical of Reynolds's work, highlights her elegance and refinement through a formal pose and muted colors. Her attire, a white shawl draped over a blue dress, suggests wealth and status. Reynolds was a prominent figure in the British art scene, celebrated for his portraits that captured the essence of his sitters, often showcasing their social standing. This painting is a testament to Reynolds's skill, offering a glimpse into the life of a young woman from a privileged background during the 18th century.

Show more

Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart about 1 year ago

Phillis Hurrell was the only child of an old aristocratic family from Devon, England. She was about sixteen years old when Joshua Reynolds painted her portrait. He shows her playing a lute, perhaps a sign of her talent as well as her faithfulness and sympathetic character. Reynolds's studio records indicate that Miss Hurrell sat for the artist six times, in June of 1762, before he completed the painting in July, having it delivered to her family's home on July 29. In 1766, four years after having her portrait painted, Miss Hurrell married Robert Froude. The couple had four children. A later account of the family records Mrs. Froude's many losses after her husband's death in 1770, "Phillis the widow, a person of strong character, lived on for sixty-six years longer, and saw the grave opened, or opening, for nearly all her brilliant and fated grandchildren. Her babes, left fatherless in 1770, were Mary, Margaret, and Elizabeth; her son Robert Hurrell [Froude] was a posthumous child. The latter was to rise to more than local eminence, known throughout an exceptionally long life as Rector of Dartington, and from 1820 on, as Archdeacon of Totnes in the diocese of Exeter" (Louise Imogen Guiney, 1904).

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.