Virgin and Child 1775

This is Simone Cantarini’s “Virgin and Child,” an etching on paper. Rather than using traditional methods of painting with oils, Cantarini employed a printmaking technique more readily associated with the rapid dissemination of images. The image is defined by incised lines into the metal plate, which carry the ink to create the image. What is interesting about this choice of material is that it moves the image away from the preciousness of a unique painting, and more toward the world of reproduction. Notice the visible lines left on the paper: the image gives the impression of an etching that has been quickly and efficiently done. While beautiful, there is a deliberate lack of finish here, which gives us a sense of the artist thinking through the composition as he works. By focusing on the printmaking process we can appreciate its unique qualities, challenging the notion that fine art must always be about unique, precious objects.