Man bespiedt vrouw tijdens haar afspraak by Charles Philipon

Man bespiedt vrouw tijdens haar afspraak 1827 - 1829

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lithograph, print

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portrait

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lithograph

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print

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caricature

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figuration

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romanticism

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cityscape

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genre-painting

Dimensions height 287 mm, width 222 mm

Curator: Oh, this is juicy! We’re looking at a lithograph by Charles Philipon, titled "Man bespiedt vrouw tijdens haar afspraak"—"Man spying on woman during her appointment." It was created sometime between 1827 and 1829. Editor: It’s certainly caught my eye. It looks like a street scene with this sort of pastel colour palette. There's a sense of hurried intrigue—a clandestine meeting perhaps? Or maybe some gossip is about to go down. Curator: Absolutely. It captures a moment of intense observation, doesn't it? There’s this gentleman, rather frantic it seems, spying on a woman entering a restaurant, “Au Paradis Terrestre” no less, with another man. Editor: The composition places the woman centrally, almost like she's a spectacle. Is Philipon making a comment on the social dynamics of the time, perhaps hinting at the surveilled nature of women's lives in 19th-century Paris? Curator: Possibly. It's fascinating how Philipon, with his background in Romanticism, veers into caricature here, highlighting societal hypocrisies with a wink. This piece certainly offers commentary on relationships and, in broader terms, the performative aspect of city life, you know? Editor: Right. The exaggerated expressions, the suggestive title…it all points to a critique of social norms and power dynamics, too. The voyeuristic element is particularly striking; he's not just observing, he is actively trying to eavesdrop! Curator: The romantic idea of clandestine encounters clashed often, though, with a burgeoning culture of reporting—who was seen with whom, and where! Gossip became currency, and so many folks loved a good story. This print certainly hints at that fascination. Editor: So, as a glimpse into gender, class, and spectacle, it’s rather unsettling yet evocative. The work definitely gives pause about the gaze, particularly concerning how women were perceived, and perhaps more importantly, monitored. Curator: Indeed. It feels daring, even now, because it pulls back the curtain on behaviours many prefer kept hidden. Editor: For me, the act of watching others takes a darker hue given present culture's voyeuristic fascinations and obsessions with social status. Curator: The layers it adds! Just brilliant.

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