Study for ‘Christ in the House of His Parents’ c. 1849

Curator: This is Sir John Everett Millais's Study for 'Christ in the House of His Parents', a preliminary sketch held here at the Tate. Editor: It strikes me as a stark composition, almost austere. The figures are rendered with minimal detail, yet there's an undeniable emotional intensity. Curator: Indeed, this drawing offers a glimpse into Millais's process. The final painting was controversial for its realism, particularly its depiction of the Holy Family as working-class figures. Editor: The symbolism, though subtle, is palpable even here. The youthful Christ figure, seemingly injured, prefigures his future suffering, while the surrounding figures embody compassion and concern. Curator: And the visual language certainly ignited debates about the proper representation of religious subjects within the Victorian context. Editor: It's fascinating how much raw emotion Millais could convey with just a few lines. This sketch becomes a powerful testament to the enduring human capacity for empathy and faith.