Statiekoets van de Franse gezant op de vredesonderhandelingen te Utrecht, 1713 1713

This print from 1713 depicts the ceremonial carriage of the French envoy at the Utrecht peace negotiations. It's made from etching, a printmaking process. The image is built up through labor-intensive applications of acid to a metal plate. The print offers a glimpse into the material culture surrounding diplomacy and power in the early 18th century. The carriage itself, though not seen here in full, would have been an extravagant display of wealth and craftsmanship. Consider the ornate carvings and gilded surfaces, the rich textiles, and the skilled labor required to produce such a spectacle. These details reflect not only artistic skill, but also the vast resources commanded by the French monarchy. Such an object makes you think about the intense labor that went into producing the physical artifacts of power. Understanding the materials, processes, and social context allows us to appreciate the full complexity of this image, challenging any distinction between mere craft and high art.