Iron Shutter Latch c. 1939

William Paul Childers made this drawing of an iron shutter latch sometime in the 20th century, using what looks like watercolor on paper. The process feels very much about observing and recording. There's a delicacy to the rendering here that's really appealing. The color palette is restrained - mostly earth tones - that focuses our attention on the form itself. It's a simple object, but Childers gives it a real sense of presence. See how the line subtly varies in thickness, giving the latch a sense of depth? The curl at the bottom is particularly nice, it is drawn so cleanly. It is like a little moment of grace. This makes me think a little bit of Charles Sheeler, who had this similar appreciation for industrial forms. Art isn't always about making grand gestures, sometimes it's about paying attention to the beauty of everyday objects.