David with the Head of Goliath by Hieronymus (Jerome) Wierix

David with the Head of Goliath 1578

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drawing, print, engraving

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drawing

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print

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figuration

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11_renaissance

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history-painting

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northern-renaissance

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engraving

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sword

Dimensions sheet: 5 1/4 x 3 15/16 in. (13.4 x 10 cm)

Curator: So, here we have Hieronymus Wierix’s “David with the Head of Goliath,” created around 1578. It's a captivating engraving, currently residing here at the Metropolitan Museum of Art. Editor: Gruesome, isn't it? Striking. There’s something so unsettling about the almost casual way David carries Goliath’s head, juxtaposed with this landscape. It's an odd mix of triumphant and macabre. Curator: Wierix really captured the essence of that biblical scene. David, a young shepherd, victorious over a giant. The image becomes less about the act of violence and more about the symbols it carries—faith overcoming impossible odds, courage in the face of fear. Even his laurel crown subtly alludes to future glories, not just past exploits. Editor: The execution feels… odd, almost dreamlike. Is it just me, or is David oddly… serene? As if he’s carrying groceries rather than a freshly severed head. It doesn’t sit quite right; that disconnect gives it power, actually. Curator: That serenity underscores a central tenet—divine support. He’s not just a boy with a slingshot; he's an instrument. The contrast between David's relative calm and the grotesque, lifeless head highlights this dependence on divine strength. Note the inscription at the bottom as well, it offers context and would've created even more resonance for a Renaissance audience, familiar with biblical allegories. Editor: Allegories... Exactly. Because when you really look, it's not just David. I can spot in the distance his slain opponent, Goliath, collapsed and naked on the battlefield, right? Curator: Precisely. Wierix provides us with that detail to make it known that David has done a huge job to beheaded his oponent. It reinforces not just the narrative, but also reminds us of moral tales that are interwoven with religion. Editor: Yes. The landscape helps here; It softens the graphic nature of the… payload. Curator: Indeed, the piece manages to distill the biblical narrative into a potent visual shorthand. The image of David becomes inseparable from this symbolic representation of faith and improbable victory. It continues to echo through centuries. Editor: Definitely leaves an impact. That tension between triumph and almost unbearable brutality makes you wonder... how does one internalize violence on such a monumental scale? Food for thought indeed.

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