Three Figures Dressed for a Masquerade by Louis Joseph Le Lorrain

Three Figures Dressed for a Masquerade c. 1740s

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painting, oil-paint

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portrait

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narrative-art

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painting

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oil-paint

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figuration

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oil painting

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group-portraits

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genre-painting

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history-painting

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academic-art

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portrait art

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rococo

Dimensions: overall: 166.4 x 127 cm (65 1/2 x 50 in.) framed: 188.6 x 147.3 x 11.4 cm (74 1/4 x 58 x 4 1/2 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Here we have Louis Joseph Le Lorrain's "Three Figures Dressed for a Masquerade," dating from around the 1740s. Editor: My eye is immediately drawn to the textiles—the sheen of the satin, the rough texture of the fur. It all speaks of incredibly skilled artisans at work. Curator: Absolutely. Lorrain situates this scene in the milieu of Rococo Europe, a world of elaborate courtly rituals and social display. Masks, as we see here, became symbolic tools of elite engagement. Editor: Think about what it took to create that impression! The labour involved—the dyers, the weavers, the furriers... Each contributing to this very manufactured scene of aristocratic leisure. Curator: These weren’t simply paintings. Works such as these helped reinforce aristocratic dominance in France and wider Europe during that period. Masquerades allowed a temporary suspension of the rigid social hierarchy. Editor: Temporary is the key word here. Because even behind those masks, class is being loudly broadcast, literally stitched into every seam of those luxurious garments. I bet they show-off in the masquerade while someone had been working very hard to produce that dress. Curator: To me, it’s about the visual drama. Notice the architectural setting, it provides a grand stage for these figures acting out roles within a controlled environment. Editor: Controlled, but within limits. The fact that you need a mask tells us about the social contradictions and performance expectations, doesn’t it? Hiding can be both oppressive and freeing. Curator: True, though in the 1740s, I'm more convinced that for some social levels, such artworks celebrated and promoted existing social structures, reinforcing power through displays of elegance. Editor: I guess when viewing works like this, my thoughts are always on what lay *behind* the glittering surface. It really makes you wonder what stories these opulent materials could tell if they could talk! Curator: Agreed; it gives a great window into how art served to mediate and mold society in times of great change.

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