Vision of Divine Love by Hildegard of Bingen

Vision of Divine Love 

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tempera, painting

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portrait

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medieval

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allegory

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tempera

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painting

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figuration

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romanesque

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naive art

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mythology

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history-painting

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miniature

Dimensions 36 x 26 cm

Curator: This piece is attributed to Hildegard of Bingen; we know it as Vision of Divine Love, and it's done in tempera. What stands out to you when you first look at this medieval painting? Editor: Chaos, but in a strangely comforting way. All these symbolic elements crammed together feel like a really intense dream you can’t quite shake off. Curator: Indeed, the artist utilizes a composition teeming with symbolic forms. The central figure, with the head of Christ crowning a figure in red robes, stands powerfully above a subdued, serpentine form. Observe how the sword divides the space, almost bisecting the beast. Editor: Right! The snake is like a grumpy footstool. But there’s also something hopeful, even fierce in those big wings. What is he holding there, a lamb? Curator: Yes, he holds a lamb and the sword suggesting sacrifice, victory. The allegorical depiction incorporates a miniature showing a divine vision, possibly Hildegard receiving the divine revelation, at the lower end of the panel. Notice how the figures below look like they're operating within a different plane. Editor: So, you’ve got cosmic drama happening above, earthly interpretations happening below. Makes you think about how these abstract, spiritual experiences get translated by the mundane, doesn’t it? The golden background lends to a timeless feel—really hammering in the otherworldly aspect. It’s fascinating how Romanesque artists were playing with depth and symbolism, trying to capture the invisible. Curator: Precisely, the interplay of the flat, golden background and the meticulously rendered figures reflects a fusion of Byzantine influences and emerging Western artistic sensibilities. The artwork exemplifies how medieval artists utilized allegory to communicate profound theological ideas and divine encounters, with semiotic weight carried through the strategic use of symbolism and figures like the vanquished serpent representing evil. Editor: This artwork really exemplifies how a simple story turns epic through symbolic imagery and careful artistic execution. After taking a look, you just can’t shake it from your head, it really has an iconic aura around it! Curator: Precisely. An excellent encounter with "Vision of Divine Love", which hopefully provided a better and insightful appreciation.

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