Dulcimer c. 1937

Curator: Standing before us is "Dulcimer," a watercolor and drawing piece by Rex F. Bush, created around 1937. Editor: It's quite delicate, isn't it? A meticulously rendered, almost clinical depiction of the instrument, yet somehow warm because of the wooden tones and the medium itself. The open box is interesting, as if inviting us to play. Curator: Precisely! Bush's artistic practice involved precisely rendering everyday objects, imbuing them with the dignity afforded high art. I would wager that the process of drafting then meticulously applying watercolor was a daily habit, like that of a luthier who makes the instruments. Note the way the open case is so precisely depicted; this indicates a great intimacy, not only to observe the physical, but, perhaps, to participate in the process by documenting and immortalizing. Editor: I am drawn to the formal aspects, specifically the contrasting dark strings against the lighter wood. And, look at the play of light and shadow, especially inside the open lid. He uses gradations of color to build volume and create a sense of depth. It elevates the object beyond simple representation. It appears this simple subject contains quite a lot! Curator: Definitely. Consider also the social context. During this time, many artists were documenting American life under the WPA Federal Art Project, making a record of material culture available, as the material was considered the shared inheritance of a citizenry. The focus isn't on artistic innovation for innovation's sake; it's about documenting tangible tools and elements of vernacular life, as related to community. What the man sees as utilitarian may become the art! Editor: That makes the seemingly straightforward realism more compelling. It layers history, use, and technique into one simple still life. Curator: The rendering is meant as part of social fabric – preserving elements of everyday life. Each line contributes to its cultural preservation. Editor: And each carefully chosen color contributes to its beauty. It strikes a fine balance, truly. Curator: A fascinating intersection of process and product, social record and aesthetic object. Editor: Indeed. A reminder that careful observation can reveal the depth in seemingly ordinary things.