Artist at the drawing table by Jacopo Chimenti gen. Da Empoli

Artist at the drawing table 1551 - 1640

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drawing, paper, ink, pencil, chalk

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portrait

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drawing

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self-portrait

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baroque

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paper

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ink

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detailed observational sketch

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pencil

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chalk

Copyright: Public Domain

Curator: This drawing, currently housed at the Städel Museum, is attributed to Jacopo Chimenti, also known as da Empoli. It’s called "Artist at the Drawing Table" and believed to have been created sometime between 1551 and 1640. Editor: I’m struck by the simplicity and quiet industry captured here. It's unassuming, almost as if we're peeking into the artist's private workspace, seeing him lost in the act of creation. The medium of ink, pencil, and chalk on paper offers a limited color palette but shows remarkable detail. Curator: Precisely! The artwork is not merely a self-portrait; it offers an interesting commentary on the act of artistic production itself, right? The very tools of the trade, the drawing table, pencil, paper, become subjects in their own right. We might consider it a type of early self-promotion, circulating an image that elevates the social status of the artist. Editor: Absolutely, but consider what it tells us about the actual labor of art-making at the time! It’s a glimpse into the material conditions, the solitary act, the tangible process. The table seems quite simple, the artist’s garments functional; it challenges romantic notions of divinely inspired genius. Curator: That's insightful. By showcasing the process, the artist also subtly underscores his mastery and technique, emphasizing skill rather than just innate talent. It invites the viewer to appreciate the intellectual work involved. Editor: Though it looks like he's struggling a bit... Look how intently he stares at that drawing on the wall behind him and he translates the image into paper. To me it feels raw, in process, where we the audience gets a look into a day of labour. Curator: Yes, the gaze between the drawings opens up some fascinating art historical discussion around imitation, creativity, the copying process. I'm left wondering to which circles the finished drawing was circulated. Editor: And I am thinking how humble tools and everyday activity made possible something to contemplate. A testament to art of humble materials and daily work.

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