Die Retouche der Photographie by Jean Paar

Die Retouche der Photographie 1890

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graphic-art, print, photography

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graphic-art

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aged paper

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homemade paper

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paperlike

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print

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light coloured

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sketch book

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white palette

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paper texture

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photography

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fading type

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thick font

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historical font

Dimensions: height 244 mm, width 168 mm, thickness 23 mm

Copyright: Rijks Museum: Open Domain

Curator: What we have here is “Die Retouche der Photographie” from 1890 by Jean Paar; a print on paper. It looks like the inside of a book, doesn’t it? What strikes you? Editor: Instantly, it's the paper's patina. That soft yellow whispers of age, you know? And then the stark black ink jumping out. It feels like stepping back into a photography studio of yesteryear, all serious and hushed, doesn’t it? Curator: Precisely! This is a book, a manual really, about retouching photographs. Consider the materiality. Paper itself can communicate the aesthetic values of photographic handbooks from that era. Editor: Yes, but the text isn't just informative; its presentation is key. Look at the title's typeface! That boldness, almost shouting! It reflects a burgeoning field staking its claim, like a prospector yelling "Eureka!" Doesn’t it feel so authoritative? Curator: I agree, it has the weight of authority! This was the era where photography was being refined as an art form and retouching was a crucial part of it. Editor: This “how-to” format is so fascinating. I love how it reveals a transitional period where art and technique tango. Before Photoshop’s one-click perfection, this craft demanded so much careful manual labor. A dialogue, I’d say, between the hand and the lens! Curator: And the title itself: retouching! A concept filled with implication—the manipulation of truth and enhancement of beauty! Editor: Now, flipping through its pages, I feel like an apprentice transported back to a master’s darkroom, with tips on every page! Curator: This handbook showcases the transformation of photography as an evolving art. Jean Paar, in his unique style, has opened up doors to knowledge through his book. What are your final thoughts? Editor: Ultimately, it shows us a beautiful blend of past knowledge and skill. And you? Curator: This is definitely worth keeping. The volume encapsulates history with a tangible aura, so you feel like you are not just reading something—but also holding a fragment of the 1890s.

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