Portret van Neeltje Buurs by Gebroeders IJpma

Portret van Neeltje Buurs 1894 - 1898

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photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

Dimensions length 103 mm, width 62 mm

Curator: This is "Portret van Neeltje Buurs," a gelatin-silver print photograph created sometime between 1894 and 1898 by the Gebroeders IJpma. Editor: The woman's gaze is so direct. I’m immediately struck by the weight of tradition pressing on her – that stiff collar, the elaborate bonnet. It feels like a study in duty. Curator: It’s fascinating to consider the technology involved. The gelatin-silver process allowed for a crispness and clarity that previous photographic methods couldn't achieve. Mass production of these images became common at the time, making portraiture accessible to a broader segment of society than ever before. Editor: The bonnet, to me, becomes almost like a halo—or perhaps, a cage. Consider all the expectations embedded in that small piece of lace and trim: virtue, marital status, regional identity… it’s a concentrated symbol of a woman’s role. Curator: And we must remember that even in these mass-produced forms, posing for a photograph remained a somewhat laborious task for the subject. The need for stillness would have shaped posture and expression. What we read as "duty" may partly reflect the constraints of the photographic process itself. Editor: Precisely. It speaks to how identity becomes constructed in tandem with material culture. She may not have chosen to represent herself exactly as such, but the combined weight of social expectations and material requirements yields this specific image. There's also something in her eyes though – a resilience perhaps? Curator: The photograph provides insight into sartorial habits. Look closely at the layered textures of her garments. There’s a certain elegance in the details, belying assumptions of simple, rural dress. Moreover, there may be multiple hands at work contributing to clothes production. Editor: Yes, this makes me see her as connected to both global production and intensely local meaning-making practices. Thank you. Curator: The pleasure’s all mine, considering the labor and production gives added dimensions to the artwork.

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