print, etching
etching
figuration
cityscape
genre-painting
modernism
realism
Dimensions plate: 24.6 × 19.9 cm (9 11/16 × 7 13/16 in.) sheet: 27.8 × 22 cm (10 15/16 × 8 11/16 in.)
Reginald Marsh made this print, called 'The Barker,' using etching, and engraving. Can you imagine the biting of the acid, eating into the metal plate? It’s got that old-timey circus vibe, you know, like Coney Island back in the day, all that bustling energy. I'm trying to imagine Marsh there, sketching away, trying to catch all the crazy details of the crowd. I bet it was loud, chaotic, and a little bit seedy, like a scene straight out of a movie. Look at how he crams everyone together, all those faces, each with their own story. The guy shouting, the girls up front, the gawkers in the back – Marsh really captured that sense of spectacle and desperation. The way he uses line to create depth, it’s like he's pulling you into the crowd. And those cross-hatched shadows? They give the whole thing a gritty, almost claustrophobic feel. It’s like Marsh is saying, "Hey, look at this crazy world we live in!" He puts the viewer right in the middle of it all. And you think, wow, I want to do that!
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