Portret van een man met snor en bolhoed, aangeduid als Dirk de Roever 1883 - 1903
photography, gelatin-silver-print
portrait
photography
historical photography
gelatin-silver-print
realism
Dimensions: height 135 mm, width 96 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have a gelatin silver print from the late 19th or early 20th century, entitled “Portret van een man met snor en bolhoed, aangeduid als Dirk de Roever”—Portrait of a man with mustache and bowler hat, identified as Dirk de Roever. The photographer is Nicolaas Schuitvlot. Editor: It has this wonderfully stilted feel to it, almost like a wax figure—staged and static. The all-white suit set against the faded backdrop is visually quite striking. Curator: White often symbolizes purity, but I'm intrigued by how the monochrome palette mutes that meaning here. What emerges, perhaps, is more about societal status, this being an obvious indicator of bourgeois propriety. Editor: Definitely. Considering the history of the era, it begs the question of class, of colonialism maybe. It’s too simplistic to ignore the larger power structures that may have defined the relationship between the photographer, Schuitvlot, and his subject, De Roever. Were they equals, or did that all-white suit indicate more about power? Curator: The cane and bowler hat certainly play into a certain type of authority as well. Though, the way the background is so soft and almost painterly... There’s a dreamlike quality that pulls me in. Photography often attempts to freeze time, but this feels as if it's already drifting into memory. Editor: It's this collision of aspirations for status and the soft, blurring edges that speaks to a loss of control in the sitter’s historical moment. Curator: Indeed, you've touched on an important point. The photograph acts as a potent visual artifact of class aspirations, wrapped within shifting and potentially unsettling social norms. Editor: Thanks. Considering all this, one may find oneself pondering not simply who this man was but also what his image silently reflects back to us today. Curator: Absolutely, what we see here transcends a mere individual portrait; it’s an encapsulation of late 19th century societal conventions attempting to solidify themselves for posterity.
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