Gertrude Whitty, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Gertrude Whitty, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

print, photography

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portrait

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print

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photography

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japonisme

Curator: This is a trade card, "Gertrude Whitty, from the Actresses series," created around 1890 by Kinney Brothers to promote their Sweet Caporal Cigarettes. Editor: There's something wonderfully theatrical about this image. Her elaborate ruffled neckline and fur trim lend her an almost untouchable aura, even with this faded, sepia tone. Curator: Absolutely. These trade cards were small photographic prints meant for mass distribution, often collected into albums. Actresses, athletes, and other public figures were used to market various goods. Editor: And there's something fascinating about how tobacco companies appropriated female figures for promotion. Do you think Gertrude Whitty, this specific figure, had agency over how her image was consumed? Curator: The dynamics were complicated. These women gained exposure, aligning themselves with brands. The cards’ Japonisme art movement influences also reflects broader cultural trends. However, such publicity happened within very specific power structures related to celebrity and gender. Editor: Exactly! We see this interesting confluence of commerce, representation, and desire. While promoting consumerism, are they simultaneously shaping and restricting what women are allowed to aspire to in the public sphere? Curator: A key question. The widespread circulation normalized images of women as commodities. The historical context is crucial here: rapid industrialization, urbanization, and shifting gender roles impacted public imagery. The use of photography, in its infancy, played an enormous part. Editor: This has truly prompted consideration regarding visibility, then and now. To consider how marketing can perpetuate norms, restrict freedom, or at the very least construct narrowly defined roles for public figures... It seems so many threads from the past linger today. Curator: I find myself reflecting on the complex interplay between art, advertisement, and the formation of social values, especially regarding representation. Editor: I completely agree. What an interesting window into not only advertising from a bygone era, but also gender roles, too. Thank you for bringing light to this striking piece.

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