Confessional 1937

Editor: This drawing is "Confessional" by William Kieckhofel, from 1937. It's a pencil drawing that has an almost architectural feel. It makes me wonder about the detailed craftsmanship suggested by the drawing. What’s most striking to you about this piece? Curator: The rendering of material and form is particularly interesting. Kieckhofel draws our attention to the constructed nature of the object itself, focusing on its physicality and detailing. What kind of labor and material processes would have been required to make a confessional like this? Think about the resources—the wood, the tools, and the skilled artisans involved. Editor: That's a great point; it seems that the drawing serves to amplify and emphasize the handcrafted qualities and ornate design of this object, drawing one’s attention to the making process. Curator: Precisely. It's not just about the religious function; it's about the materials that manifest belief. The artist asks us to examine the systems involved. The work makes us consider what sort of values such a focus on detailed work embodies. What are the social implications of spending so much time on something when the world outside it is dealing with poverty? Editor: So the material and method actually introduce critical questions about value? Curator: Yes, challenging the traditional divide between artistry, labor, faith and resources. Editor: That gives me a lot to think about regarding how we value art and the labor that goes into it! Thanks for your insights.