Shimada 1855

Utagawa Hiroshige made this woodblock print, Shimada, as part of the series *Fifty-three Stations of the Tōkaidō* and it gives us a glimpse into the social and economic life of 19th-century Japan. The print illustrates travelers crossing a river, relying on the assistance of men who carry people and goods. This scene reflects the realities of travel during the Edo period when the Tōkaidō road was a vital route connecting Edo, modern Tokyo, with Kyoto. What’s fascinating is how the image creates meaning through class distinctions. The figures wading through the water are likely lower-class workers who were paid to assist travelers, while those being carried are of a higher social standing. As historians, we can delve deeper by researching travel practices, social hierarchies, and economic systems of the Edo period. By analyzing contemporary sources, such as diaries, travel guides, and government records, we can gain a greater understanding of this artwork.