John Sharp (?), Archbishop of York c. 17th century

Editor: Here we see Robert White's engraving of John Sharp, Archbishop of York. It has such an official feel, almost like a document. What do you notice about how images like this functioned in society at the time? Curator: These portraits were vital for projecting power and status. Think of the Church's role in 17th-century England; images like this reinforced their authority. How do you think the artist conveyed Sharp's importance? Editor: I see, the elaborate frame and inscription. And the cherub at the top! Curator: Precisely. These details weren't just decorative; they were carefully chosen symbols contributing to the visual language of power. The Harvard Art Museums holding this print speaks to its continuing historical value. Editor: It's amazing to consider how much these images communicated beyond just a likeness. Curator: Indeed. It highlights the complex interplay between art, power, and the shaping of historical narratives.