Portret van een peuter, staand op een bank by Hermanus Jodocus Weesing

Portret van een peuter, staand op een bank 1868 - 1900

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photography, albumen-print

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portrait

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photography

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genre-painting

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albumen-print

Dimensions height 84 mm, width 52 mm

Editor: This is a portrait from between 1868 and 1900, "Portrait of a toddler, standing on a bench," made by Hermanus Jodocus Weesing. It appears to be an albumen print. I'm struck by how the sepia tone flattens the image, but also brings out the texture in the bench. What do you see in this piece from a formalist perspective? Curator: Initially, I am drawn to the interplay between the textures and tones, a structured yet asymmetrical organization. The woven texture of the rustic bench provides a strong horizontal plane in opposition with the young child's vertical stance. Notice how the limited tonal range pushes the texture forward, thus flattening the perspectival recession one would anticipate in a portrait. How does that flatness effect your viewing experience? Editor: It makes the portrait feel more like an object, or a study of shapes and light. It separates the portrait from simply documenting the sitter. I am curious about how the object the boy holds functions within the portrait. Curator: Precisely! The child becomes another compositional element, like an abstract sculptural mass to balance out other details within the frame. Now, considering what the child is holding, can you assess how its inclusion modifies the overall dynamics and semiotic intention? Editor: The object appears to be a crumpled piece of paper. Considering that paper can serve as a symbol for intellect, is this adding some commentary on maturity and potential? Curator: That is a worthwhile reading. Also, let's reflect upon the contrasting angles created between the curve of the branches and the shape of the object, both opposing yet harmonizing with the rigid form of the child. They contribute a level of sophistication, elevating the subject matter through deliberate visual arrangement. Editor: That is very interesting. Paying closer attention to the formal choices elevates my understanding of this portrait. Curator: Indeed, attending to these minute design decisions in any work can expand interpretive possibilities.

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