Hercules Stealing the Horses of Diomedes 1540 - 1583

Etienne Delaune made this print, Hercules Stealing the Horses of Diomedes, in the 16th century using engraving. The engraving technique involves cutting lines into a metal plate, applying ink, and then pressing paper onto the plate to transfer the image. Look closely, and you'll notice the network of fine lines that define the forms. The varying depths and densities create the illusion of light and shadow, and the different textures of the characters' skin, the horses' manes, and the thatched roof. This was a highly skilled craft, demanding years of training. Delaune was known for his refined and detailed style, which catered to the tastes of a sophisticated audience, in contrast to the labor involved in the creation process. Prints like these played an essential role in disseminating classical stories and artistic ideas during the Renaissance. By focusing on the material process, we can appreciate how prints bridge the gap between artistic skill, the circulation of knowledge, and the wider social context of their time, showcasing the rich interconnection between art, craft, and society.