Der Tod des Heiligen Joseph 

Michel Corneille the Younger made this drawing of The Death of Saint Joseph in France in the late 17th or early 18th century. The scene depicts Joseph, the husband of Mary and earthly father of Jesus, on his deathbed surrounded by family and angels. Corneille was a product of the French academy, which promoted a classical style. The drawing's composition and subject matter reflect the values of the French court under Louis XIV, which sought to promote religious piety and familial order. In this context, the death of Saint Joseph is presented as a model of Christian virtue. His calm acceptance of death, surrounded by loved ones and blessed by angels, reinforces the era’s emphasis on the importance of religious devotion. By studying the artistic conventions and social context of 17th and 18th century France, we can gain a deeper understanding of the drawing's meaning and significance. Historical sources, such as religious texts, court records, and artistic treatises, can shed light on the cultural values and beliefs that shaped the production and reception of Corneille's work.