The Rest on the Flight to Egypt with Saint Francis by Correggio

The Rest on the Flight to Egypt with Saint Francis 1517

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painting, oil-paint

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portrait

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narrative-art

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painting

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oil-paint

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landscape

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figuration

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egypt

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christianity

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genre-painting

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italian-renaissance

Dimensions 123.5 x 106.5 cm

Curator: This piece immediately strikes me as tranquil, even serene. There's a gentle quality to the light, and the figures seem to exist in a peaceful world of their own. Editor: We’re looking at Correggio’s "The Rest on the Flight to Egypt with Saint Francis," created around 1517. The Uffizi Gallery is fortunate to have this oil on canvas in their collection. What I find interesting is how this sacred moment is made so…domestic. Curator: Absolutely, that’s precisely its strength. The painting illustrates the Holy Family pausing during their escape to Egypt, offering us an intimate glimpse. We see not just figures of immense religious significance but also a mother, father, and child taking refuge, creating a visual representation of the universal refugee experience. Editor: The inclusion of Saint Francis is compelling too. His presence underscores themes of piety, devotion, and perhaps even divine protection during a time of vulnerability. The specific inclusion of Saint Francis suggests that a message about Catholic religious reform is being put forward to viewers in the years prior to the emergence of Protestantism, which in some ways called into question aspects of Saint Francis' mission and teachings. Curator: Yes, Saint Francis becomes a symbolic guardian, his presence reinforcing the divine nature of the Holy Family's journey. Note the compositional arrangement: Mary sits centrally, bathed in light, cradling the Christ Child. Saint Joseph and Saint Francis flank her, creating a protective semi-circle. The symbolism inherent in gesture and positioning speaks volumes. Editor: And then there's the setting. It is so unlike the desert typically associated with this part of the story. It’s lush and verdant, full of hidden depth, that the family finds refuge and respite in what looks almost like a typical Northern Italian countryside highlights the politicization of the sacred space in early modern Catholicism. Curator: Precisely! The natural landscape itself acts as a symbol of hope and renewal, suggesting a new beginning for the Holy Family. Even the darker areas of the background give weight to the visual interpretation: that the family’s struggle exists amid ever-present peril, the threat always looms behind. Editor: Looking at this now, knowing more of the artwork's background helps to expand my interpretation of this. It's incredible to see how seemingly simple paintings hold entire layers of cultural and political relevance! Curator: Indeed! Correggio's ability to imbue everyday moments with symbolic weight is part of what makes this artwork so enduring. It offers a powerful visual reminder that, across cultures and eras, the universal human experiences of hope and resilience prevail.

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