Lovers 1760 - 1770

Editor: This little sculpture, called "Lovers," was crafted sometime between 1760 and 1770 by the Chelsea Porcelain Manufactory. It’s made of porcelain, and depicts a couple embracing. I’m struck by how intricate and almost theatrical the figures appear, despite the small scale. What aspects of its form do you find most compelling? Curator: I observe a pronounced emphasis on the decorative possibilities inherent within the porcelain medium. The artist, or more accurately, the artisans within the Manufactory, demonstrate considerable technical skill in molding and painting the surface. Note how the Rococo aesthetic prevails; observe the elaborate drapery, the florid patterns on the woman’s skirt, the ornate sculptural details such as the bird atop the pillar and the foliage around the base. It all contributes to a sense of playful artifice. The function of the sculpture also impacts its form. Would you agree? Editor: I do, it feels very ornamental and not meant for any practical purpose, or deep message, other than the visual enjoyment. Do you think that impacts how we view the artwork today? Curator: Certainly, the artwork epitomizes the decorative trends of its time, prioritizing surface ornamentation over substantive narrative or symbolic depth. This aligns perfectly with its intended function within an aristocratic, pleasure-seeking culture. Furthermore, consider how the flawless execution of the medium is prioritized; the inherent properties of the porcelain serve as a central focus. The material itself speaks to wealth, skill and status, regardless of any further narrative elements within the sculpture. Editor: I see what you mean. It's less about "what" is depicted and more about "how" it's depicted. I didn't consider the craftsmanship itself as the focal point. Thanks, I learned so much about decoding Rococo. Curator: Indeed, that level of scrutiny enriches the work. The true pleasure of this art resides in decoding its material form.