Schets van de liggende figuur van Maarten Harpertszoon Tromp: model voor praalgraf c. 1654 - 1655

Here we have a terracotta sketch of Maarten Harpertszoon Tromp, made by Rombout Verhulst in the 17th century. As you can see, terracotta is essentially baked earth, a humble material, yet capable of great refinement. Verhulst used terracotta to create a model for a grand tomb, as a study for a final piece in stone. This was a standard practice, allowing the artist to test ideas in a more pliable material. Note how the softness of the clay allows for a high level of detail, especially in the drapery and armor. You can almost feel the weight and texture of the fabrics. The choice of terracotta also speaks to a hierarchy of materials, with stone being seen as more permanent and prestigious. But in its own way, the terracotta model has a unique value, offering an intimate glimpse into the artist's process and the skilled labor involved in bringing such a monument to life. It reminds us that even the grandest artworks often begin with the simplest of means.