Mitate Marishiten Dancing on Boar, with poems by Fukaetei Sugamichi and Shōsado (Shunman) Possibly 1803

Editor: This is Kubo Shunman’s "Mitate Marishiten Dancing on Boar," a woodblock print. I'm struck by the figure's confident pose atop the boar. What's the story here? Curator: Shunman cleverly uses the "mitate" technique, alluding to Marishiten, a Buddhist deity associated with warriors and victory, connecting it to the figure's gender and potential socio-political commentary. Consider how the poems might intersect with this representation. What are your thoughts on the boar as a symbol within this context? Editor: I hadn't considered the boar's symbolism! It adds another layer to the interpretation, maybe speaking to strength but also challenging traditional representations of power. Curator: Exactly! Shunman may be playing with societal expectations by placing a female figure in this role of authority and power. The combination of text and image allows for a more complex and layered reading. Editor: This print offers so much to unpack about gender, power, and artistic commentary. Curator: Indeed. It shows the power of art to negotiate cultural values and spark critical conversations.