Omslagontwerp voor: Catalogus van de Ideal Home Exhibition, 1912 by Richard Nicolaüs Roland Holst

Omslagontwerp voor: Catalogus van de Ideal Home Exhibition, 1912 1912

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graphic-art, mixed-media, print, engraving

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portrait

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graphic-art

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mixed-media

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art-nouveau

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dutch-golden-age

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print

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symbolism

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history-painting

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engraving

Dimensions: height 220 mm, width 252 mm

Copyright: Rijks Museum: Open Domain

Curator: Oh, isn't that charming? Like stepping into a quiet dream. Editor: Indeed! We're looking at Richard Nicolaüs Roland Holst's design for the catalogue of the "Ideal Home Exhibition" of 1912, held here in the Netherlands. Curator: "Ideal Home," eh? Funny, it feels more like "Ideal Retreat." Those figures huddled by the fire, poring over a book—they seem so blissfully unaware of the bustle of an exhibition. Almost deliberately so. Editor: Precisely. Holst, entrenched in Symbolism and responding to anxieties over industrialization, perhaps envisioned a sanctuary against the modern world. An interesting application for promotional material intended for popular audiences. Curator: I love how the intimate scene is framed. Look at the fish swimming along the bottom and the birds at the top. Editor: A wonderful compositional choice: those stylized borders almost elevate the domestic sphere into something cosmically significant. Notice how those avian symbols are presented, perhaps freedom for Holland during this era. The inclusion of such imagery reinforces the Dutch aspirations to freedom through trade as a means to idealization. Curator: It also has such a handcrafted feel, doesn't it? A reaction against mass production, perhaps. I can imagine families dreaming of something handcrafted for their perfect life, but I have also been seeing more prints being massed produced to meet that high consumer demand. Editor: The artist blends graphic art techniques with such distinctive flair that Holst provides a blueprint to Dutch pride and industrious freedom during this era. I wonder if he foresaw the rise of consumer culture as something that can strip an image of all value; creating items instead of dreams. Curator: Food for thought. A delicate dance, then, between art, industry, and our deepest desires. That man clearly wasn't shopping on Amazon. Editor: Certainly not. It prompts me to ask whether it really ever exists...this utopia. Curator: The art world continues to bring forward unique perceptions; providing endless thoughts and interpretations for us to ponder. Editor: True. It will always prompt new investigations in the meaning of life!

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