Construction in Brass 1935

Anton Prinner created this geometric sculpture in brass, a metal prized for its warm color and workability. Look closely, and you’ll see the sculpture’s construction revolves around precisely cut and joined components. Brass sheets would have been cut and formed into rings and bars, each piece meticulously soldered or brazed together, demanding high skill from the maker. The linear elements stretch and converge, terminating in a polished sphere. The choice of brass, an alloy of copper and zinc, speaks volumes. Its industrial origins contrast with the handcrafted nature of the piece, creating a tension between mass production and individual artistry. The high level of finish, especially the polish, elevates the whole thing beyond pure geometry, into the realm of fine art. Ultimately, this construction invites us to reconsider the boundaries between different forms of creative practice. It demonstrates how material and process contribute to the dialogue between art, craft, and design.