English Castle, from the Habitations of Man series (N113) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco by The Giles Company

English Castle, from the Habitations of Man series (N113) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco 1890

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drawing, coloured-pencil, lithograph, print

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drawing

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coloured-pencil

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water colours

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lithograph

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print

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landscape

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coloured pencil

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cityscape

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academic-art

Dimensions Sheet: 2 1/2 × 4 1/8 in. (6.4 × 10.5 cm)

Curator: This lithograph, dating to 1890, presents an "English Castle" as part of the "Habitations of Man" series, distributed by W. Duke, Sons & Co. Editor: My immediate reaction is to the textures. The surface has this wonderful, almost tactile quality. It feels like there’s a real layering of materials at play. Curator: The work exemplifies the aesthetic sensibilities of the academic art style, where clear and well-ordered architectural details serve to portray a romantic and somewhat nostalgic scene of England. Note how the structural components such as walls and towers communicate the essence of 'castle' as concept rather than any particular place. Editor: Indeed. I am particularly struck by how the work functioned. These were not exactly gallery pieces; instead, they promoted tobacco. The labor involved in the crafting of such chromolithographic prints, intended for wide consumption, brings the economic processes of artistic creation into view. Curator: Very insightful. Furthermore, one should observe how the color usage contributes to the representation. The contrast of pale yellow and sky blue, paired with linear exactitude, makes the depicted architectural elements communicate grandeur and timelessness. Editor: Exactly! It’s fascinating how these commercial prints blurred the line between fine art and industrial production, where artists contributed to mass culture, yet their labour became just another element in the cycle of manufacturing and advertising of tobacco products. Curator: Absolutely. Looking at the semiotic content further, note how such scenes are imbued with values about tradition, lineage, and stability, something possibly linked to a target audience’s preferences during that time. Editor: Thinking about material use is intriguing. While ostensibly representing durable stone and earth, the print relies on flimsy paper. That opposition tells a powerful story of value and the material conditions of viewing culture in a consumable way. Curator: So, to summarise, a seemingly straightforward depiction of an “English Castle” on closer examination reveals much about composition, distribution, cultural encoding, and even social value. Editor: A reminder that art's impact is often rooted in tangible production and our evolving engagement with materials in varied social conditions.

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