Portret van Johann Michael Dilherr 1669 - 1677

Editor: So, this is Wallerant Vaillant’s "Portret van Johann Michael Dilherr," made sometime between 1669 and 1677. It’s an engraving, etching, and lithograph print. It feels very…stately. But what's striking is how the crucifix in the background seems almost secondary to the sitter. What do you make of it? Curator: It's fascinating how Vaillant interweaves personal and cultural symbols here. The crucifix isn't just background; it's a carefully placed emblem of Dilherr's religious devotion and likely part of his identity as a pastor. Consider how frequently that imagery appears, as a visual language. The hand gesture over the heart might imply sincerity and piety, yet there's an assertive gaze that suggests worldly authority. Notice how the pillar also functions in the composition. Does it remind you of any classical ideals or aspirations? Editor: I see what you mean about the gaze. And yes, the pillar, alongside the classical-looking typeface in the inscription below… is he being presented as not just a religious figure, but a scholar, too, harking back to ancient knowledge? Curator: Precisely. It's about creating a lasting impression and reminding viewers, down the centuries, about his multiple roles. The artist subtly uses familiar symbols to suggest erudition, piety and civic virtue. It invites the question of what these symbols might mean to different audiences across time, and indeed, what they might mean today. Editor: That’s given me a lot to consider about portraiture in general and how artists build layers of meaning through such carefully chosen details. Thanks for clarifying all the historical context! Curator: Indeed. Hopefully it will stay with our audience well after the audio ends!