Copyright: National Gallery of Art: CC0 1.0
Alphonse Legros made this drawing of Dr. Louis Vintras in 1904 with a sanguine crayon, which is a fancy way of saying a red chalk pencil! The beauty here is in the simplicity. Look at how Legros builds up the form with these tiny, almost nervous strokes. You can almost feel the pressure of his hand, the way he's digging into the paper to create those shadows around the eyes and the mustache. It’s not about perfection but about capturing a likeness, an essence. The reddish-brown tone gives the whole thing a warm, intimate feeling, like a faded photograph from a family album. Check out the way he renders the jacket. It's just a flurry of lines, but it suggests the weight and drape of the fabric. And those little scribbles around the collar? That's where the drawing really comes alive. For me, the quick marks that suggest the form, relate to works by someone like David Hockney in his sketchier moments. They both embrace the idea that a drawing doesn't have to be perfect to be powerful. It's about the conversation between the artist and the subject, the dance of the hand across the page. Art doesn't get more magical than that.
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