Dancer (one of a pair) by Höchst Manufactory

Dancer (one of a pair) 1753 - 1763

0:00
0:00

ceramic, porcelain, sculpture

# 

portrait

# 

ceramic

# 

porcelain

# 

figuration

# 

sculpture

# 

decorative-art

# 

rococo

Dimensions: 7 1/8 × 6 × 2 5/8 in. (18.1 × 15.2 × 6.7 cm)

Copyright: Public Domain

Editor: Here we have "Dancer," one of a pair, made by the Höchst Manufactory between 1753 and 1763. It’s a porcelain sculpture currently housed in the Metropolitan Museum of Art. I find the composition so delicate and poised; it makes me think of controlled movement. What are your first impressions? Curator: My immediate observation focuses on the intricate construction of the form itself. Consider the interplay of lines; the upward thrust of the dancer's torso against the voluminous swirl of her skirt. Notice how the porcelain, through its very materiality, suggests a fragility intrinsic to the art of dance. Editor: That's fascinating. I was so caught up in the subject I didn't really analyze the lines so closely. Curator: Now, what of the Rococo style? Do you see how its aesthetic principles inform the sculpture's decorative elements? The subtle asymmetry, the curvilinear ornamentation… each contributing to the overall effect of refined elegance. How do these features contribute to its sense of 'controlled movement,' as you say? Editor: I see what you mean! It's almost like the dress is mimicking the movement even though the dancer herself is static. It creates dynamism. Do you think the porcelain medium contributes to that impression? Curator: Undoubtedly. The smooth, reflective surface of the porcelain enhances the play of light and shadow, giving depth to the drapery and accentuating the dancer's graceful pose. Think of it as a material articulation of fleeting movement captured in a permanent state. What semiotic reading might be suggested here, I wonder? Editor: Semiotic reading? Wow. I hadn't thought of that. But it does seem like it's a very potent signifier... the dress especially becomes symbolic of rococo dynamism, almost like a snapshot of energy and refinement, not just the literal fabric. Curator: Precisely. Examining the form itself and its relation to material and theory has changed my perception entirely. Thank you! Editor: Me too. Seeing it from a formalist point of view makes the entire sculpture so much more than just a pretty figurine.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.