Untitled 2000

This untitled painting by Harriet Korman presents a playful arrangement of geometric shapes and vibrant colours, clearly defined by bold outlines that reflect a process of continuous refinement and adjustment. The paint handling is direct and unpretentious, the brushstrokes confident but not overly labored. The colours are applied in flat, opaque layers, with each hue retaining its distinct character. Look at the central triangular form, how the red sits against the green and yellow, creating a sense of visual vibration, a dynamic interplay between figure and ground. Korman’s painting shares certain sensibilities with artists like Al Held, who also explored the tension between geometric abstraction and subjective expression. Like Held, Korman embraces ambiguity and open-endedness, inviting viewers to bring their own associations and interpretations to the work. Ultimately, the painting embodies a spirit of exploration and discovery, reminding us that art is not about answers, but about asking questions and embracing the unknown.