Gedicht op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd by Anna van Oostrum

Gedicht op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd Possibly 1744 - 1745

drawing, paper, ink, pen

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portrait

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drawing

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medieval

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paper

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ink

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pen

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history-painting

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calligraphy

Curator: This ink drawing on paper, dating back to possibly 1744-1745, titled "Gedicht op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd", presents a poignant poem beside the inscription "Johan van Oldenbarnevelt." It's strangely beautiful, yet tinged with sadness, knowing the history. The calligraphy seems quite deliberate. What strikes you most about this piece? Editor: Well, initially, the script style catches my eye – almost medieval in its flourish. But, realizing it refers to the sword that beheaded Johan van Oldenbarnevelt in 1619 adds a layer of political weight. As a historian, what can you tell me about how society viewed such an artwork then? Curator: This drawing exists as a piece heavily influenced by its context, which, ironically, looks back in time. Van Oldenbarnevelt's execution was a huge political moment in Dutch history. The poem memorializes that moment in time through calligraphy. Editor: So the artist chose calligraphy purposefully? To perhaps amplify a sentiment? Curator: Exactly. Think of the history embedded in that very choice. Calligraphy was seen as highly esteemed, connected to scribes, learned people, and the recording of historical moments, right? Do you believe the display or sharing of a piece like this, nearly 150 years later, suggests a shift in public opinion or historical interpretation of Van Oldenbarnevelt’s legacy? Editor: That is definitely something to consider; the time difference between his death and the poem adds a new layer. Maybe it became safer, or more acceptable, to create such art that memorialized those difficult moments. I never considered the public role of art in dealing with complex history that way before. Curator: Precisely. It illustrates how the socio-political landscape influences not only artistic creation, but the consumption and interpretation of art across different periods. It highlights art's constant engagement with the political stage.

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