Emblem of Lion and Bees [reverse] by Giorgio Rancetti

Emblem of Lion and Bees [reverse] 1605

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carving, metal, relief, embossing, sculpture

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portrait

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medal

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carving

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allegory

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metal

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relief

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11_renaissance

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embossing

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geometric

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sculpture

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carved

Dimensions: overall (diameter): 3.7 cm (1 7/16 in.) gross weight: 19.9 gr (0.044 lb.) axis: 12:00

Copyright: National Gallery of Art: CC0 1.0

Editor: This is the reverse side of "Emblem of Lion and Bees" by Giorgio Rancetti, created in 1605. It's made of metal, through carving and embossing techniques. It’s rather small, and the detail is remarkable. What catches your eye when you look at this piece? Curator: Oh, it whispers tales of power, doesn't it? A lion, regal even in repose, amidst a swarm of industrious bees. I'm drawn to the duality—the potent strength of the lion juxtaposed against the collective diligence of the bees. It’s Renaissance dynamism in microcosm. Makes you wonder about who commissioned it, doesn't it? Someone keen on conveying a message about leadership, perhaps? Editor: A leader embodying both strength and industry? Interesting. I was focused on the contrast between the smooth surface and the very textured lion and bees. Curator: Indeed! Giorgio was pretty intentional there. This textural contrast amplifies that central allegorical message, doesn’t it? "De Forti Dulcedo" — from strength, sweetness. It suggests something about extracting value or reward *from* power. Editor: So, like, using power wisely brings positive outcomes? It feels so relevant, even now. I almost want to carry it around in my pocket. Curator: Precisely! Medals like these were conversation starters, pocket-sized philosophies! I wonder, Giorgio, if you had any clue how resonant this symbolism would be centuries later? What a treasure! Editor: Absolutely! I am seeing so many layers now!

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