The Pledge of Love 1786

Editor: Here we have "The Pledge of Love," a colored pencil drawing and print created in 1786 by Jean Mathieu. It definitely evokes a sense of classical romanticism. I’m curious, what kind of story do you see unfolding here in its historical context? Curator: What strikes me is how this image participates in the 18th-century vogue for representing sentimental love, which often found its audience within specific social circles. Consider the placement of the monument, for example. It acts as both a picturesque prop within the landscape, echoing a sort of classical heritage, but also perhaps implies a staged quality. Where do you imagine this scene being consumed? Editor: Well, with its refined style and romantic themes, I picture this being displayed in a salon or a private collection amongst the upper class? Is that reading into it too much? Curator: Not at all. That social aspect is vital. These images weren't created in a vacuum. "The Pledge of Love" circulated within a society grappling with ideas of virtue, sentimentality, and changing social dynamics. Who got to define these concepts and for whom? That's always key. Editor: So it's not just about a couple pledging their love, it's about the public performance and the societal implications of that display? Curator: Precisely. Mathieu's print isn't merely illustrative; it’s part of a broader conversation about the role of emotions and relationships within the context of 18th-century sociopolitical norms. It invites us to reflect on how images contribute to constructing, reflecting, or even challenging those norms. Editor: That’s fascinating. I never thought about how artworks from this period were so intrinsically linked to social expectations and conversations happening at the time. I guess art is always in dialogue with society. Curator: Absolutely. That's a lesson to carry with you as you study more art!